This week, we turn our attention to:

The Image (1975) - directed by Radley Metzger.

A film that exists at the intersection of art-house and erotica, sophistication and transgression. Based on the novel “L’Image” by Jean de Berg, visually striking it invites viewers into a world where power, desire, and control intertwine in unexpected ways.

With Metzger’s signature cinematography, European flair, and meticulous attention to detail, The Image is a film that refuses to be easily categorized. Its characters navigate an intricate web of psychological tension, shifting dynamics, and unspoken desires, all set against the backdrop of high society elegance.

But what makes The Image stand out in Metzger’s filmography? How does it compare to other works of its era? And what exactly is it about this film that has kept audiences discussing it for decades? We’re unraveling the mystery behind this provocative piece of cinema - and asking is it any good??

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