This storytelling style podcast is a cautionary tale for produsers in the participatory digital era. Digitisation and convergence have allowed for countless user affordances in the read write format of social media (Lessig, 2008). The modern user generated content landscape of social media is undoubtably beneficial to the platforms themselves as it helps drive visitors and maintain attention (Manovich, 2009) however there are risks to the users including copyright violations. Creators beware...

Original content released under Australian Creative Commons Attribution Non-Commercial CC BY-NC This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator.

CC BY-NC includes the following elements:

BY: credit must be given to the creator 

NC: Only noncommercial uses of the work are permitted

https://creativecommons.org/share-your-work/cclicenses/

All media used in creating this podcast remains property of the respective rights holders. These excerpts are used legally under Australian Fair Dealing, for the purpose of criticism and review.

Sounds and music used in iMovie with permission by Apple "iMovie includes built-in soundtrack music and sound effects that you're free to use in your iMovie projects."

Sound effects by Daniel Simion Attribution 3.0 via https://soundbible.com

Sound effects and music by https://freesfx.com

Voice over provided via CC BY-NC by Katie Jones and Chris Jones.

Cover artwork created using font and image via Canva.com

References

Abidin, C. (2020). Mapping Internet Celebrity on TikTok: Exploring Attention Economies and Visibility Labours. Cultural Science, 12(1), 77–103. https://doi.org/10.5334/csci.140

Acast. (n.d.). https://www.acast.com/

Apple Inc. (n.d.). iMovie (version 10.1.12) [computer software]. Apple Inc.

Canva. (n.d.). https://www.canva.com/

FreeSFX. (n.d.). https://freesfx.co.uk/

Green, J. & Jenkins, H. (2011). Spreadable Media How Audiences Create Value and Meaning in a Networked Economy. In Nightingale. V. (Ed) The Handbook of Media Audiences. (pp. 109-127). Blackwell Publishing Ltd. https://curtin.alma.exlibrisgroup.com/view/delivery/61CUR_INST/12181923170001951

Jenkins, H., Ford, S. & Green, J. (2013). Introduction. In Spreadable Media: Creating Value and Meaning in a Networked Culture (pp. 1-46). New York and London: New York University Press. https://ebookcentral.proquest.com/lib/curtin/detail.action?docID=1114591

Lessig, L. (2009). Remix: Making Art and Commerce Thrive in the Hybrid Economy. Bloomsbury Publishing. http://ebookcentral.proquest.com/lib/curtin/detail.action?docID=591059

Manovich, L. (2009). The Practice of Everyday (Media) Life: From Mass Consumption to Mass Cultural Production? Critical Inquiry, 35(2), 319–331. https://doi.org/10.1086/596645

Shivani, S. (2024, March 26). YouTube removes 2.25 mn videos in India over rules, most for any country. https://www.business-standard.com/companies/news/youtube-removes-2-25-mn-videos-in-india-for-violating-community-guidelines-124032600701_1.html

SoundBible.(n.d.). Free sound effects. SoundBible. https://soundbible.com/free-sound-effects-1.html

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